Veronica West talks about feelings of dizziness in San Francisco

It’s okay if you get a file vertigo Feeling while watching Surface.

Before Surface On Apple TV+, model Veronica West discusses her inspirations and the sources of her latest show. Filming her latest series in San Francisco West allowed several nods to be given to one of the cinematographers, Alfred Hitchcock. vertigo.

The synopsis reads: “The film is set in the upscale city of San Francisco, a woman who has suffered a traumatic head injury that has left her with severe memory loss, believed to be the result of a suicide attempt.” “As Sophie embarks on a quest to put the parts of her life back together with the help of her husband and friends, she begins to question whether or not the truth she was told was the truth she experienced.”

Check out the full player interview below.

Theodor Leonty: On the surface, silence and the unspeakable are just as important as speech. How did you manage to find the perfect balance between what to say and what not to say?

Veronica West: Well, that’s a really good point. Lots of series revolve around Sophie trying to reveal her own secrets, and in a sense she’s all alone on this journey because she doesn’t know who’s around her to trust. So there were a lot of moments when Gogo was [Mbatha-Raw] The revelation had to be played internally. We’re so lucky to have an actress of her caliber who can show us that whole range of feelings and those discoveries simply without words.

San Francisco seems to be the perfect place where anyone can search for their true identity. How important is it to put this story in that particular city?

the West: Right from the start, we wanted this show to be a really sophisticated kind of escape world to spend time in every week. San Francisco seemed the perfect choice. It has a certain immortality, and in a sense, the show is a response to classic noir films. There are some hints and gestures to vertigo in the series. I think shooting in San Francisco… really allowed us to tap into that timeless classic and bring it to the surface.

I was curious to know your main sources of inspiration for this series.

the West: Actually, we were watching this old French movie called Last year in Marienbad, which is like the ’60s, a classic black and white movie. In the premise of the movie, this woman walks into this beautiful luxury hotel with her husband, a man meets her and basically says, “You don’t know me, but I know you.” We used to love each other. We were having an affair. And as this scene unfolded, I was like, I know the story is going to loop and you’ll never answer that question, but what if you could write a show that answered that question? How could this crazy scene be real? What set of circumstances allowed us to start a story with this kind of drama? This is what we set out to do.

You obviously think that people can take on different identities throughout their lives. Do you think there is a limit to these identities?

the West: Well, an extreme Sophie situation. This is a very psychological thriller, and the things she discovers about herself are probably different than the secrets you and I have. But in a sense, we are all different people at different times in our lives. If you went back and met 20-year-old Veronica on the street, would you know who I am today? Will I get to know her? I think there’s something to relate to in the introduction where we can all think about the different identities we’ve just had in the natural development of our personalities.

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